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[personal profile] tamaranth
2025/102: When Women Were Dragons — Kelly Barnhill
[Author's Note] I thought I was writing a story about rage. I wasn’t. There is certainly rage in this novel, but it is about more than that. In its heart, this is a story about memory, and trauma. It’s about the damage we do to ourselves and our community when we refuse to talk about the past. It’s about the memories that we don’t understand, and can’t put into context, until we learn more about the world. [p. 366]

Reread for Lockdown bookclub: original review here. I liked it even more the second time around, though I found myself focussing more on the silences, absences and unspoken truths of Alex's childhood than on the natural history of dragons. Interestingly, it felt a lot more hopeful when I read it in 2022 than now, nearly three years later.

Discussed with book club. Reactions were mixed. We wanted more about knots, and whether they were actually magic.

tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/101: The Silence of the Girls — Pat Barker
I was no longer the outward and visible sign of Agamemnon’s power and Achilles’ humiliation. No, I’d become something altogether more sinister: I was the girl who’d caused the quarrel. Oh, yes, I’d caused it – in much the same way, I suppose, as a bone is responsible for a dogfight. [loc. 1596]

This is the story of Briseis, a princess of Lyrnessus who was captured when the Achaeans sacked the city. Her husband and brothers were slaughtered, and she was given to Achilles as a prize. Later, Agamemnon's prize Chryseis was returned to her father, a priest of Apollo: plague had broken out and Apollo, the god of plague, needed to be appeased. Agamemnon complained about the loss of his property: Briseis was taken from Achilles and given to Agamemnon to replace Chryseis, and Achilles then sulked in his tent and refused to fight.

Of course the story is quite different from Briseis' point of view.Read more... )

tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/100: Monsters — Emerald Fennell
The best thing about there being a murder in Fowey is that it means there is a murderer in Fowey. It could be anyone. [loc. 464]

The nameless narrator of Monsters is a twelve-year-old girl, orphaned in a boating accident ('Don’t worry – I’m not that sad about it') and living with her grandmother. Every summer she's packed off to an aunt and uncle who run a guest house in the quaint Cornish town of Fowey. There, she meets Miles, also twelve, and they bond over a murder Read more... )

Rebuilding journal search again

Jun. 30th, 2025 03:18 pm
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[personal profile] alierak posting in [site community profile] dw_maintenance
We're having to rebuild the search server again (previously, previously). It will take a few days to reindex all the content.

Meanwhile search services should be running, but probably returning no results or incomplete results for most queries.
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/099: The Story of a Heart — Rachel Clarke
Depending on your point of view, the transplantation of a human heart is a miracle, a violation, a leap of faith, an act of sacrilege. It’s a dream come true, a death postponed, a biomedical triumph, a day job. [loc. 199]

Keira, aged nine, is fatally injured in a traffic accident: her heart keeps beating but she is brain-dead. Max, also aged nine, has been in hospital for almost a year because his heart is failing. This is the story of how Keira (and, more actively, her family) saved MaxRead more... )

2025/098: Maurice — E M Forster

Jun. 25th, 2025 07:20 am
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/098: Maurice — E M Forster
He had gone outside his class, and it served him right. [loc. 2758]

A classic of LGBT+ literature, read for a 'published posthumously' challenge -- I managed to find an affordable Kindle edition. Splendid prose, intriguingly detached/omniscient narration, and appalling social tension.Read more... )

2025/097: Endling — Maria Reva

Jun. 24th, 2025 08:37 am
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/097: Endling — Maria Reva
"Wasn't your novel originally going to be about a marriage agency in Ukraine?"
"Null and void... I was writing about a so-called invasion of bachelors to Ukraine, and then an actual invasion happened. Even in peacetime I felt queasy writing right into not one but two Ukrainian tropes, 'mail-order brides' and topless protesters. To continue now seems unforgiveable." [loc. 1457]

The first half of Endling is the story of Yeva, a malacologist ('despite its inclusion of mollusks without backbones') who's determined to save endangered snail species. It hasn't gone well: she is down to one living specimen, Lefty, whose shell coils the opposite way to others of his species. (Yeva, similarly, coils the other way: she's asexual, though she has a passionate friendship with a conservationist.) Lefty is an endling, the last of his variant. Perhaps Yeva is too.

To finance her mobile lab, Yeva works for Romeo Meets Yulia, an agency that does 'romance tours' for Western men. Read more... )

tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2025/096: Stateless — Elizabeth Wein
...turning your back on your family, I knew, wasn’t nearly as terrifying as turning your back on an entire nation. [loc. 3643]

Stella North is the only female contestant in Europe's first ever youth air race. It's 1937, and the European powers are desperately trying to avert war: 'No one who fought here twenty years ago and survived wanted to see their sons come of age and go straight out to fight another war'. Meanwhile, the young men who are Stella's (male) competitors seem to be obsessed with the war records of their instructors and chaperones. She's especially vexed by the French pilot, Tony Roberts, who strongly resembles the German pilot, Sebastian Rainer. Tony flew in Spain, during the Civil War: Sebastian has never heard of Guernica.

Read more... )

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